Antonio Martiáñez

A mature couple happily receives the news of pregnancy while a young couple has the disappointment of a frustrated attempt.

When a young fanatical nationalist suspects that his fellow pensioners - immigrants and zarzuela players - plan an attack on the president, he reports them to the police. In his adventure, he leaves behind a girlfriend and a lover, and ends up sharing his life with a disoriented girl.

In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.

An Andalusian woman travels to Buenos Aires, pretends to be a man and travels as a stowaway.

La mujer del león

A young doctor tries to cope with his intimate dramas and, at the same time, fulfill the duties of his profession.

Ritmo nuevo, vieja ola

During the second half of the 19th century, a young survivor is saved in the Argentine pampas by a man she ends up marrying.

Buenos Aires, Argentina, New Year's Eve. Several people are trapped inside an elevator located in an office building.

The young widow of the viceroy of Peru, facing the dismal prospect of either a convent or a marriage of convenience, sets out to conquer a handsome officer, pretending she’s a duende, a ghost. Voted the best Argentine film of 1945, La dama duende is a beautifully crafted comedy of errors, based on the 17th-century play by Pedro Calderón de la Barca. The most ambitious production of Estudios San Miguel, it was brought to the screen mostly by Spaniards exiled in Argentina as a result of the Civil War.

Historia de una noche de niebla

A village priest protects a young mother rejected by the people and the mayor.

Placeres conyugales

In a moment of despair, a man sends his wife a letter announcing his suicide.

El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.