Jur van der Lecq

Amsterdam, Netherlands, 1944, during World War II. Andries Riphagen, a powerful underworld boss, has made his fortune by putting his many criminal talents at the service of the Nazi occupiers. But the long battle is about to end and the freedom fighters, who have been persecuted and murdered for years, are abandoning their hideouts to mercilessly hunt down those who have collaborated with the killers.

Pupil Abel is the victim of Laura's nasty prank, yet gets accidentally blamed and overreacts. His ma withdraws him from school and gets him a job as lift-boy. But its' a special lift: when he pushes the forbidden green button, it takes him, Laura, Jozias Tump and Maria Klaterhoen to Manhattan. There he's mistaken by a rich bitch who looks like his mother for her long missing son Johnny. When a police helicopter comes to tow the lift cabin, the Dutchmen get back in. It takes them to a Latin American country, Perugona. The new revolutionary leader realizes presidents live about one year, so he gives the job to Mr. Tump, who saved his life. The news coverage attracts Abel's and Johnny's family, in time for an even weirder finale.

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

This series takes place at a cutting-edge city hospital. The first season follows Ella, a skilled obstetrician who leads a team of fellow medical professionals. Together, they must perform under immense pressure. The healthcare providers and their patients represent all walks of life and amidst their many triumphs and struggles, laughter and tears occur in equal measure. The thin line between one's personal life and one's professional life becomes increasingly blurred when working such long hours, making conflict unavoidable. But in the end, there is one thing that unites everyone on this parallel hospital-universe: the universal human experience of new life, fragile yet filled with hope and potential.

We follow the destructive life of 37-year-old Cat. People around her are worried. Cat is not. Due to a great loss within the family, which is largely not talked about, there is barely a sense of family left. Her mother IS a panic attack. Her father writes self-help books.