Georgette Fadel

A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer, and the occasion is the wedding anniversary of the magazine publisher and his wife, a famous theater actress. The publisher has written an open letter to the president of the country, with serious denunciations, which will run in the upcoming issue. He risks being arrested this very evening. As tensions increase with the imminence of prison, secrets come to light revealing the conflict between the ethics sought in public life and the ethics practiced in private life.

A romantic and neurotic young man is having a hard time dealing with his girlfriend’s departure for Paris. All his clumsy attempts to forget her will go downhill by a unexpected invitation to have dinner at her parents’ house.

The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.

Ronda

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

A young woman, holding an important secret and refusing to bow to oppression, exposes the individual dynamics and relationships established in her family that has lived in isolation on a deserted beach for ten years.

A film that uses the very premise of acting, of the game between real and real fiction, to imagine a world in which art becomes impossible and the artist useless.

Fralda and Tito only think about enjoying the graduation party. However, for different reasons, plans for the big night go awry. To improve the situation, Tito proposes a trip.

A post-apocalyptic thriller set in near-future Brazil, where a select few are allowed to join a privileged society after undergoing an intense and competitive process.

This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.

When chaos takes over the streets, the life of a ten-year-old boy begins to crumble. It is at the moment when the desperation is based that Captain Brazil finds space.

Simone is a young law student who studies criminal law and advocates for women's rights. On her free time, she's a cam girl that makes live sexual performances on the Internet. One night, she watches a video that awakens her interest in BDSM-related activities, leading her into a series of conflicts dominated by violence and eroticism.

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.