Florence Weiss

This musical drama marks the screen debut of Moishe Oysher, in a film critic J. Hoberman calls an "anti-Jazz Singer." Oysher stars as a wayward youth who makes his way from his Polish shtetl to New York's Lower East Side where he is "discovered" and becomes a well-known singer. Ultimately, he returns home to the Old Country and reunites with his parents and his childhood sweetheart.

Moishe Oysher, the renowned cantor and star of Yiddish radio, stars in Edgar G. Ulmer’s musical version of David Pinski’s play Yankl der Shmid. Singing, dancing, and flashing his eyes, Oysher gives his most robust performance as a passionate shtetl blacksmith who must struggle against temptation to become a mensch. Recently rediscovered footage makes this the most complete extant version of Ulmer’s lively folk operetta, replete with an example of Yiddish swing.

A humble cantor, Oysher yearns to be an opera singer. He deserts his tiny village to pursue his dream, but when his voice breaks he sheepishly returns, resigned to attending but not singing at the Yom Kippur services. Upon his return, Oysher is informed that his son has died. Out of grief is wrought a miracle: Oysher's voice returns, more powerful than ever. After performing the Day of Atonement services, Oysher suddenly collapses, peacefully joining his son in death. If you wish to see the touching Overture to Glory, by all means seek out a decent print; many extant copies are so washed out that, not only are the English subtitles unreadable, but it's extremely difficult to tell one actor from another.