Nuriya Ahmadova

In capital city Baku, eminent editor Yusef Abranov (Mustafayev regular Avtandil Makharadze) and director Mehmet (Yashar Nuri) are determined to get their latest movie made by any means necessary, after being shut down by the bankrupt national studio. Following various schemes, the only way left to raise the cash is to marry off Yusef’s son to the daughter of the rich guy who’s bought Yusef’s bizarre, mirror-filled house.

The film talks about countless crimes committed by the criminal group led by "Panjali Aslan" and eventually the destruction of this criminal group by law enforcement agencies.

Psychological drama about a university dean who leads a double life.

A young man tells the dream he had about running away with the daughter of chief of police to his grandma. People spread and exaggerate rumors as if it was a real story until it reaches to the chief himself.

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

A soldier recently returned home finds it hard to scrape by, and the girl he loved married.

Film about growing up in a small village in Azerbaijan.

Mustafa works as a guide in Shaki (the city in Azerbaijan) and decides traveling to Turkey for making a trade to get some money. When his spouse and him went there, unexpected processes started to happen.

Garden Season

The film is about young village man and about his love's.

A lonely old woman remember her youth, the days when she worked as a prostitute because of the poverty during the Second World War.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

After fulfilling his duty in Afghan War, Zaur returns to his home Baku. He is trying to clarify the truth when he heard that his father was arrested.

A young boy through a period of transition. His last baby tooth, which symbolises this period, is sore. He is scared of pulling it out, of saying goodbye to his dead mother and to his childhood. No one understands him, be is deprived from material physical affection. He himself does not understand his father who has brought another woman home. He feels this is an act of betrayal towards his dead mother.

After the story of same name of A.Hagverdiyev. Film is about young man called Shamil. He is not so rich but everybody respects him for his good mood. He fells love with Kembay's (he is richest treader in this town) daughter-Gulsum. But his father doesn't let them to be together.

After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

The movie tells about the tragedy of miserable people who turned to dogs. A group of people who desperately seeks for a job is abducted and forced to labor like slaves.

The film is about people who don't like national traditions and being Azerbaijani after returning from Europe.

The film is about sportsman who tried to avenge to his friend's murder.

The film is about village people, about their love for their land, their honesty in relations.

The Poet

"The Crow" - During the meaningless war years, a new lifestyle emerged in Lebanon : neither capitalist nor socialist. A military lifestyle. A whole generation of Lebanese were born and raised in war climate as a result of their inclination towards death and confusion. This generation does not imagine another life. The sounds of automatic fireworks are mixed with the sounds of folk instruments at every holiday or family celebration.

The film is devoted problems of protection of ecology.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

Along with the dangerous adventures, the film also reflects the love of two young heroes. As in Romeo and Juliet, they are the children of two opposing sides.

Aruz, who lost his son during migration, one day finds a strange creature with one eye on his head, brings him to the village and raises him as his own cub. Years pass, Aruz finds his missing son, and Grandpa Gorgud names him Basat. Tepegoz, who has already grown up and finished painting, starts eating people one day. When the people found out about this, they kicked Tepagöz out of the village. After Tepagoz's mother, the fairy, bathed him in the lake of Kir, he is no longer affected by weapons, and Tepagoz made a condition in front of the people that they should bring one man and 500 sheep every day. If not, he will raze the whole place to the ground. Seeing that Oban is in such a difficult situation, Dede Gorgud says, "Basat is the only solution." As a result of the dream he saw, Basat, who returned from his trip incomplete, tricks Tepegoz and defeats him and saves the people from trouble.