Geoffrey Chard

Francis Poulenc's only full-length opera is firmly rooted in the post World War II era. Based on the historical events of the time of the French Revolution, this story of a community of Carmelite nuns who go to the guillotine rather than renounce their calling can be received in many ways. Poulenc's warmly melodic and lyrical score is wholly dramatic and gripping, and Dame Joan Sutherland, recreating the role she sang at the opera's British premiere in 1958, sings the second prioress with commanding moderation. This production serves the inspiration of Poulenc in every important particular of style, economy and theatrical force. Richard Bonynge conducts the Elizabethan Sydney Orchestra. Sung in English.

Colonel Fairfax has been falsely accused of sorcery by a jealous relative who covets his estates and money. The Colonel is condemned to death for his 'crime' and waits in the Tower of London for his execution. Fate, however, steps in - in the form of Sergeant Meryll (who owes his life to Colonel Fairfax) and Elsie Maynard, a beautiful strolling singer who has just arrived at the Tower to entertain the people in the company of a strolling jester, Jack Point.