Sarah Daykin

Carole Mackay is an unashamedly outspoken and wealthy entrepreneur. Her online business selling all things festive has earned her a fortune, as well as the nickname 'Christmas Carole'. But her success hasn't made her a better human being. In fact, it's made her worse. The truth is that Carole is a monumentally mean person. Positively Scrooge-like. And, just like Ebeneezer, she doesn't love Christmas at all. But this Christmas Eve, Carole's past, present and future are about to collide. Will some rather familiar Christmas spirits help her discover the true spirit of Christmas?

When Tom and Ellen are together, things seem to work. It's only in the spaces outside the relationship - the intrusions of real life, and the deadly collaboration of parents, siblings, friends and exes - that the flailing attempts to make good first impressions, arrange first dates and hold a relationship together, seem to unravel.

A down-and-out DJ plots to rebuild his music career while working as a nanny for his famous best friend's wild 11-year-old daughter.

A portrait into the mind of a dry-witted, sexual, angry, porn-watching, grief-riddled woman, trying to make sense of the world. As she hurls herself headlong at modern living, Fleabag is thrown roughly up against the walls of contemporary London, with all its frenetic energy, late nights, and bright lights.

It's the First World War. Our nation's heroes are fighting the good fight on foreign soil, but in one sleepy English village three young men remain: George is a conscientious objector, Cecil has flat feet and Bert really is a coward, unfortunately. They don't fight on the front line, but they do fight each other.