Marie Spurná

Bio-pic about Czech composer Antonin Dvoraák at the height of his career. Dvorák learns that his love and lifelong muse is ill and must return to her side.

This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. It's a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants of Kersko (Kersko is a small woody area full of cottages and roods). These people are both simple and sensitive, they have their own pleasures (e.g. Leli is a collector of cheap, but inutile things) and the greatest delight of all of them is a hunting. Crude poetics of amateur hunting is screened by dreamy pictures of this area. Menzel mixes sentimental lyricism and rough (but not vulgar!) humor and the outcome is the never-ending landscape of continuous life in the proximate nearness of nature. The performances of actors are brilliant. Both Rudolf Hrusinsky as a Franz and Jaromír Hanzlik as a Leli have nonrecurring charm bottomed on a pain and inebriation. Only the music is not perfect: Jiri Sust usually assembled his film music from his older works and in this movie there is many quotations.

P.F. 77

Corpus delicti

Podnájem na Champs Ellysèes

Na koho to slovo padne...

Only a few girls practice the art of parkour – running and somersaulting over rooftops, free-climbing up rusted scaffolding and leaping from one wall to the next. Laura takes it all in her stride. Though as she wildly races through the streets of Prague, her thoughts are running wild too. She has a crush on Luky, but he doesn‘t show much interest in her. Laura‘s parents live apart, and her mother is desperately looking for someone new. Jealousy, misunderstandings with her best friend – Laura‘s life is full of confusion. Sometimes, when she can‘t take it anymore, fantasy worlds evolve. When hope and fear push through the cracks of reality, it gets harder to keep her life in balance.

Čapkovy kapsy

Život a doba soudce A. K.

Hraběnky

Škoda lásky