Rumi Konishi

A single mother from the country raising a 6th grade boy comes to Tokyo, leaves the boy to live with his uncle's family, runs a struggling grocery store, and works a local inn. The boy befriends a girl, the daughter of the innkeeper.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Explicit drama about a young woman who becomes involved with a group of college students who play "spin-the-bottle" and the women must make love or strip. The woman, Junko, becomes involved with Makoto, leader of the gang, becomes pregnant, has an abortion, then gets involved with an architect.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself "already dead."

Suspense drama about a married salaryman whose affair with one of his co-workers is compromised when, returning from a clandestine meeting with his lover, he runs into a neighbor who is later accused of murder. Questioned by police about the neighbor, and blackmailed by his lover's neighbor, the salaryman's lies lead him on a path to destruction.

Men are being murdered by a psycho called "The Telegian," who uses a matter-transmitting device to locate his victims.

1962 Japanese movie

Drama about the lives of the five daughters and daughter-in-law of a store owner.

Japanese drama.

Kaei

Comedy of manners set on the "Kodama" train between Tokyo and Osaka, before the opening of the Shinkansen. In the leading role, Frankie Sakai plays a straightforward but indecisive hero. The passengers also include the bubbly Dan Reiko, and Ozawa Eitaro as a dour company president. Based on the novel "Seven and a half hours", by Shishi Bunroku.

1962 Japanese movie

1961 Japanese movie

1962 Japanese movie