Hugo Márquez

This low-budget avant garde feature uses no dialogue in telling the story of the reaction of the Spanish court after the initial exploration of America. A botanist revels in his collection of new plants. A native is baptized in a church ceremony, and nuns and court jesters appear throughout this rambling feature.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

Gyula Kodar is a commissioner who investigates the murder of an American executive. Keep track of Macabí, an ex and former lover of Mary Laya, widow of the victim. With the help of Kelly, a prostitute who is his sometime lover, Gyula able to find Macabí ; then he discovers that love is superior to survival and freedom is stronger than betrayal.

A woman sets out on a spiritual journey to find her brother in the far away land of Roraima.

Jairo is a teenager living in a marginal world, in a neighborhood full of drugs and assaults. Tired of poverty and his family hell, he is forced to resort to violence. He thinks his only way out of misery through the world of crime, so he decides to participate in an assault to get money with which to regain their dignity.

The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.