Vasil Šiškov

Two friends, whose lives are based on parties and easy living, get an offer to make fast cash. In order to make the mоnеy they have to invest 100 000 euros in merchandise they can easily sell for minimum 150 000 euros. They don't have the money to invest so they decide to borrow from friends but nobody wants to give them 100 000 euros. Somehow they manage to find the money but from a loan shark who wants 110 000 euros back in three days. Happily accepting the money believing that everything will be O.K., they give the money to a middleman who has to provide the goods. But they should have known better because after they give him the money, the middleman, the goods and the money are nowhere to be found.

Maxim is an artistic examination of the unconscious, oppressed, forgotten and traumatic past, of the reality full of treachery and violence, which casts a shadow on the life of a young man, forcing him to kill in order to save, to kill in order to continue living, to run in order to get away from the shadow in which he exists. Maxim is a synonym and a way to confront the dualism of the awareness where the subconscious mind and destiny are the carriers of the story in the movie - alter ego.

Urban drama about ordinary people in a period of transition.

Film about the legend of Rada's Bridge in the city of Kratovo.

Five centuries of persecution and the struggle of the Macedonian people for freedom and an independent Macedonian state in which freedom will reign equally for all, have created their own myth and tradition for themselves. The struggles, sufferings, betrayals and self-sacrifice were later translated and woven through Macedonian songs, stories, tales and plays. Starting from there, this TV movie approaches the events of that time.

In modern-day Macedonia, East Indian gypsy Taip (Miki Manojlovic) becomes friends with UN peacekeeper Riju and introduces him to his life of squalor. When Taip's mother dies, he collects government money for the funeral -- but then she comes back to life. Shown at the 1997 Montreal Film Festival.