Roberto Pollack

Set in the Middle East in 1919, a group of European Jews planning on settling in the Sinai Desert are attacked by Bedouin tribesmen. As they fight for their lives they realize that they are beginning a struggle for a new Jewish nation. This film chronicles the beginning of the modern Jewish struggle for a homeland.

In Israel's Central Prison, the security officer is corrupt, supplying drugs and stirring the hatred between Jewish and Arab prisoners to his advantage. Uri, in for 12 years for armed robbery, and Issan, in for 50 years for PLO violence, command the respect of their cells. When the Arabs are framed for the murder of a Jewish prisoner and a young inmate commits suicide rather than lie about what happened, Uri and Issan form an unlikely partnership, leading the security block on a strike. Prison officials try to break it. In the background are Uri's daughter and Issan's wife, women of beauty and passion who embody the distance from inside a cell to the outside.

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

Before dying, Jenny's mother writes four letters for each of the stages her daughter will live without having her at her side. After an early pregnancy and a marriage that ended in failure, Jenny opens the fourth card, which will lead her to Israel.

Upon his father's death, a Hungarian stage actor travels to Israel for the funeral and meets his stepmother for the first time.

HaShminiya is a television series that was broadcast on the Israeli channel Arutz HaYeladim in HOT. Although the show was designated for children and teenagers, it was also popular with adults.

“The Office” is a mocumentary series based on the British show of the same name. Somewhere within the industrial area of Yahud is a grey, drab office, the failing branch of an office supply company heroically named “Paper-Office”. The branch is run by the show’s protagonist, Avi Meshulam, a 40-year-old loser, who’s overweight and has severe self-image issues that turn him into a liar, a suck-up, and a generally unbearable human being. He’s absolutely sure that he’s a wonderful standup comedian, who wound up in this boring, humiliating job purely by chance. Management is constantly trying to fire him, his employees despise him, yet he is ever the optimist, and he talks in catch phrases lifted from the most banal management books. He is surrounded by the range of characters that make up the impossible mosaic of Israeli society. Romance flourishes, schemes are hatched, lamination machines are sold on sale– and everybody tries to make it through yet another day with their unbearable boss.