Carmen Ramos

Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance

Returning to Earth as an imitator, the legendary Mexican artist Pedro Infante must prove that he is no longer a womanizer to enter paradise.

A woman decides to jump down from a rooftop. This is her third suicidal attempt, however, she has not been able to end her life.

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

Magdalena makes a journey to find her son, who has disappeared on his way to the Mexican border with the United States. Her odyssey takes her to meet Miguel, a man recently deported from the US. They start to travel together, Magdalena looking for her son, and Miguel hoping to see his mother again.

They say being a woman is all a business and maybe it's true. We are complicated, complex and we look at life differently, exactly what Carolina Rivera captures in 'On the ropes', the new Netflix series that 'unmasks' life's struggles and puts the subject of motherhood on the agenda.