Antonia Marzullo

Not available.

A young engineer on holiday gets involved with a boy who has a strange relationship with the wind. Their close friendship arouses suspicion in the small town. When the boy disappears, the engineer is accused of murdering him.

Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their "garconiére", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill.

Maos Sangrentas translates to Bloody Hands in English, and that's just what this gruesome Brazilian melodrama delivers. The story begins when a gang of dangerous convicts escape from a penal colony. With the police in hot pursuit, the escapees cut a gory swath through the countryside. As his comrades are killed off one by one, the leader of the group descends into gibbering madness. In contrast to this, a subplot develops involving the least dangerous of the escapees, who murdered his wife in a peak of self-righteous rage and is now seriously in doubt about the wisdom of his deed. Principal scenes reworked in 1962 to make the film The Violent and the Damned (q.v.).

Como Vai, Vai Bem?

O Diamante

Balança Mas Não Cai

Singer Laura Monteiro (Montiel) is murdered by her old protector João Fernandes de Oliveira (Giachetti), who has found out her love affair with Assis (Carlos Alberto). Favela-girl Belén (also Montiel) is the look-alike who takes her place, unaware she is being used by a gang that smuggles precious stones sewn in Carnival costumes. Written by fabreu