Melissa Hamilton

The rich history of American ballet is celebrated in classic works by George Balanchine and Jerome Robbins, two choreographic giants of the 20th century. Apollo brought Balanchine together for the first time with composer Igor Stravinsky. Their creation for Diaghilev’s Ballets Russes in 1928 remains a masterpiece of neoclassicism in its striking depiction of the young god of music and his three muses. Balanchine’s effervescent Tchaikovsky Pas de Deux breathes life into a long-lost movement from Tchaikovsky’s original score for Swan Lake. Created in 1960 for virtuoso New York City Ballet dancers Violette Verdy and Conrad Ludlow, its thrilling technical challenges are still relished by performers today.

The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

The Royal Ballet brings their annual presentation of The Nutcracker to life, streamed in cinemas throughout the world.

Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianella Nuñez (Kitri). Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot.

The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. Recorded on stage 3 December 2018—15 January 2019 as part of the Autumn 2018/19 season.