Mariola Fotez

It's Spring, Sergeant

A teenager starts to rebel against his parents in increasingly radical ways after being forbidden from going out with his girlfriend.

The action is set in the early 20th century. The film is made up of six sequences. In the first, Michal, young man who came from Poland to Germany, enrolls in a course on how to behave in social situations and on etiquette. However when he tries to approach girls using the rules which he's been taught... he only makes a fool of himself. Then, he goes to work for a man who owns a carousel and who loves to chase other women. In the next sequence, Michal meets the divorced landlady, Mrs. Luther, and goes through a whole lot of erotic experiences. When he escapes exhausted from his landlady, he starts working in a mine and visits brothels on a regular basis. He looks on women in a totally cynical manner. However, his persistent wandering must finally result in a true love.

In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.

Bronek Pekosinski lives in Zamosc, Poland. He is probably 83 years old. He has no family and does not really know who he is. Everything about his life is fictitious: symbolic is the date of birth - the day World War II broke out, as well as his surname - after PKOS, an abbreviation of a charitable institution, and the place of birth - the Nazi concentration camp, from where his mother threw him over a barbed wire fence. Even his friends and guardians turned out to be false. Only his loneliness and his hump seem to be authentic. Two great powers have vied for young Bronek's soul: Roman-Catholic church and a totalitarian state. He fell into alcoholism. Partially paralyzed as the effect of cerebral hemorrhage, he is fired with an ambition of acquiring a mastery in a game of chess.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

Young American actor comes to Yugoslavia to star in co-production film of the two countries, only to find out that the director was mysteriously killed. Later he discovers that the reason was his involvement in the white slavery trade.

Z tamtej strony tęczy

The film presents the story of Robert - an aging, once-recognized artist who is today struggling with his own complexes and vices, and helplessness towards a new reality that ruthlessly throws him to the margins of existence. One day Robert finds himself in a roadside ditch hit by a dog's car. In a reflex of spontaneous compassion, he takes the dog home and begins to look after him.

Rehearsals for Chekhov's Three Sisters are underway in the theater. The team creating the performance is entangled in complicated relationships, they feel pressure. Success or failure no longer depends only on them, but they still try to realize their own ambitions and dreams.

Panoramic view of a resort town in the summer of 1930. In seventeen episodes we get a glimpse at the microcosm of its colourful inhabitants and visitors, Poles and Jews, the high society and the desperately poor.

Picture of most likely our greatest enemy but motivation as well - ego. Lonely, lost and confused, destructed and abused. How much we really know ourselves? How indeed we are capable to keep our love clear?

The movie is about three brothers and a sister. The brothers include a would-be tough guy thug, a sleazy lawyer and an anarchist. The anarchist and the sister (Maria Strzelecka) have a thing for each other that is more than just sibling affection. Each of them is facing a problem of their own making. A lot depends on how they deal with their issues, as there isn't much lower they can stoop other than being dead. In the beginning of the film there is a lot going on, which makes it a little hard to follow, but that goes along with the theme of chaos.

Two intellectuals, a writer and a director, begin to play a mysterious psychological game in a peaceful countryside manor house during the Nazi occupation.

A small-town policewoman is chasing a vicious serial killer; at stake is first a country girl's life, and then her own life.

Dom