Sofia Smirnova

Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii Pankratiev, whose panoramic long shots feature dynamic compositions. The background, barren field and bare sky, raise the agricultural subject matter to the level of an epic poem. Using innovative editing, Shpykovskyi transformed an incredibly simple plot into an avant-garde work. Created the same year as Earth (Zemlya), the film forms a paradoxically conceptual, ideological, and aesthetic pair with Dovzhenko’s movie.

The film recreates the events of 1905. In the center of the picture is the struggle of the proletariat, led by the Bolshevik party, against tsarism. The demonstration of labor unrest is replaced by episodes of the Russo-Japanese war, Black-Hundred demonstrations, accompanied by a pogrom of Jews, and beating of the intelligentsia. The film paints the attitude of the Mensheviks towards armed insurrection, reproduces the picture of barricade battles, the arrest of the Council of Workers' Deputies and the brutal reprisals of the tsarist autocracy with revolutionaries.