Haroldo Costa

It tells the story of a girl being abducted by the evil pirate with a wooden leg.

The dictator of a small Caribbean island receives the New York Times daily, sent by a nephew. Through the newspaper, he gets in touch with the world. Guerrilla groups try to neutralize this information system.

Marcelo leaves his family and moves to Mato Grosso do Sul, where he learns how to fly airplanes by himself watching the pilots. One day, he responds the call of a drug dealer and uses his boss' plane to help the man to transport his cargo. He is hired by the drug lord to work transporting drugs in his airplanes. When he is arrested by the Federal Police, he does not rat his gang and the leader of the cartel gives a large amount of money as a bonus and asks him to leave the gang since he is known by the police. Marcelo uses the money to promote a party in the Carnival of Recife pretending to be the son of the owner of the Gol (a Brazilian air flight company). He lures the high-society, including the television presenter Amaury Jr. Marcelo is arrested again and is sent to prison. During a rebellion, he uses his leadership to present the claims of the prisoners and help to control the situation.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

Silêncio no Estúdio

Um Par a Outro

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

Referências

Documentary made to commemorate the centenary of the birth of the legendary Paulo Benjamin de Oliveira, Paulo da Portela.

Encontro Marcado com Fernando Sabino

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.

Abdias Nascimento

With a short and intense life, Dolores Duran left her name in the pantheon of great names in Brazilian music. Living in a time when women had to follow strict moral standards, Dolores had no doubts: she spent the night in bars and parties, drank, smoked and allowed herself to be free to relate to whoever she wanted, challenging the macho structure of the 1950s. With many archival footage and testimonials from friends, family and ex-boyfriends, the film tells the story of an important and little-remembered character.

A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.

Haroldo Costa - O Nosso Orfeu

It tells the story of Chiquinha Gonzaga, a revolutionary musician who marked the history of music in Brazil, and challenged the social standards of her time. Chiquinha was raised very comfortably and had an excellent education provided by his father, Jose Basileu, who expected his daughter to be a lady of the imperial court. But after listening to songs played in a black yard and influenced by friends, such as composer Joaquim Callado, Chiquinha begins to make compositions mixing polka and lundu. By imposition of her father, Chiquinha is forced to marry Jacinto, with whom she has three children. However, Jacinto forbids her to play, and she decides to separate from her husband, going against social standards. Chiquinha, then, fights for his freedom to play and will live with the great love of his youth, João Batista de Carvalho Jr., with whom he has a daughter, Alice.

Conceição is a poor girl that left Minas Gerais in search for a new life, away from the coal ovens. She runs away on a cargo train to Rio de Janeiro, where later she takes shelter with a loving family in Rio's suburbs. She falls in love with Cleiton, a hard working and rebel young man, who grew up without a father and lives between good and evil. Conceição becomes a brazilian funk star, but she doesn't loose her pure nature, reassuring her integrity before the obstacles of life. These common people face a recurring dilemma to all of us: How to maintain your notion of justice, ethics and morals, in times of violence, inequity and decadence of values?