Selma Alispahić

When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

Ali, a young photographer who lives with his family, finds himself in an unusual and sad story in Bosnia and Herzegovina after a genetic disorder. Having never visited Bosnia, he will look for the traces of his own past. Hana, who lives in Bosnia, will not leave him travel alone on this journey.

Jovana works behind the counter at a bakery in the small town where she lives with her father. Her somewhat shy peer Marko is supposed to follow in his own father’s footsteps and become a truck driver. But the events of one night change both their lives… Serbian director Stefan Malešević debuts with a formally distinctive triptych whose loose narrative structure challenges the viewer to actively participate in putting together the pieces of the mosaic.

Sofija, a hostel worker in Sarajevo, has until the end of the week to empty her estranged father's office.

Two married couples of different religions and social status decide to swap their wives so they could all emigrate to New Zealand in an easier way.

Kırık Midyeler

A single mother of a teenager in the midst of a divorce, Nevena Murtezic struggles to balance her life between her 17-year-old son, Dino, and a job constantly under pressure from politics and the public.