Alexander Schmidt

Deep in the Bavarian countryside Kleist’s historical drama Michael Kohlhaas is being shot. But instead of shooting a huge epic with impressive costumes and extraordinary props, grown-up men in suits fight with imaginary weapons. What has happened? Young director Lehman is fighting for his film, although all funds have been canceled. He’s convinced that the actor’s play and the fantasy of the audience will be sufficient. He fights for his vision as much as Kleist’s Kohlhaas fights for his rights. This film has to be finished. Whatever may come. Even if he has to go too far.

Plum out of luck, Swabian farmer Huber’s farm goes under. Then his girlfriend Birgit takes over her father’s newly-acquired firm – in former East Germany. That's reason enough for Huber to bail on his debts and head out on a road trip through southwest Germany.

The Light of Love