Tamer Nafar

Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv's hip-hop club scene.

The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.

Attempting to look at the Israeli-Palestinian conflict from a new perspective, documentarian and artist Udi Aloni returns to his native Israel to speak with scholars, activists and politicians on both sides. At the center of his investigation is the Temple Mount, a Jerusalem holy site sacred to both Jews and Arabs. Strongly influenced by the views of his activist mother, Shulamit Aloni, Udi argues for the creation of one state that accommodates both Palestinians and Israelis.

A satirical crime, comedy of errors that involves three trailers that have been smuggled into Israel. A mistake in the harbor brings together Arabs, Orthodox Jews and a gay couple that must join forces in order to solve the mishap.

Young lovers Qays and Layla are university students in the West Bank who hail from Khan Yunis in Gaza. He is pursuing a degree in literature and she in engineering, but they are forced to return home before completing their courses. In the more religious and traditional environment of Khan Yunis, their love story can continue only by marrying. Yet Qays, who is a construction worker living in a refugee camp, is too poor to convince Layla’s father that he can provide for his beloved daughter. As the couple struggles to be together, Qays paints verses from the classical poem Majnun Layla all over Khan Yunis, a rebellious act that angers Layla’s father and the local self-appointed moral police.