Kangabam Tomba

Lamja Parshuram is a 1974 Manipuri film directed by Aribam Syam Sharma and produced by G. Narayan Sharma for N.S. Films. The script of the film was written by Elangbam Dinamani Singh and story by G.C. Tongbra. The movie features Kangabam Tomba in the titular role, and Wahengbam Bedamani as the lead female protagonist. It was released on 24 April 1974 at Pratap Talkies, Paona Bazar. The film ran for more than 100 days and became the first Manipuri hit feature film.

Saaphabee is a 1976 Manipuri film written by Sarangthem Bormani, produced by G. Narayan Sharma and directed by Aribam Syam Sharma. The film features Kangabam Tomba and Subadani in the lead roles. It was released at Usha Cinema, Paona Bazar on 13 July 1976. The movie won the National Film Award for Best Feature Film in Manipuri at the 24th National Film Awards. It is based on the famous Manipuri folk play Haorang Leishang Saaphabee. It is the first Manipuri folk film.

In this award-winning blockbuster film Olangthagee Wangmadasoo (meaning " Even Beyond the Summer Horizon" in Manipuri) by Aribam Syam Sharma, a singer Bijoy and a medical student Thadoi fall in love and decide to marry each other. But differences between their respective families bring a sequence of twists to the tale including attack on Bijoy, his grandfather's death, a pilgrimage and a kidnapping. Will their love be able to defy all these?

The film explores the different life styles of modern India. In urban society corruption is rife, careers advanced by bribes and influence. But there is an alternative: life in the hills, where the people face life silently and accept nature's gifts. In this ultimately optimistic film, a Manipuri youth lives through personal pain and disappointment to face with new hope and energy the struggle of his family for a different way of life.

Tamubi had determined not to visit her estranged husband. Not even once in their twelve years of separation. But one day, all against herself, she visits to attend her daughter’s wedding. She yielded to her daughter’s persistence. When she arrives the estranged couple did not exchange a single word. As night falls after the ceremony, Tamubi has no choice but to hold the night at her husband’s place. Reminiscence of the years gone by keep awake the separated husband and wife the whole night. The following day her husband pleads her to come back and start life anew. But Tamubi sticks to her independent conscience.

This Manipuri drama opens as a happy young couple are preparing for an ear-piercing ceremony for their first child, a daughter. This is an important custom in their region of India, signifying the beginning of a responsible stage in life. Things go awry when the wife begins talking to flowers, singing odd songs, and having fits. In fact, the fits get so violent that she has to be physically restrained and tied down to prevent her from hurting herself. It eventually emerges that she has been chosen by a spirit which is special to a particular religious cult, the Meibis. Things proceed swiftly with her new, unsought, allegiance as she makes contact with the cult and its leader and prepares to leave her heartsick husband and child behind.