Utae Shōji

The follow up to the very popular first instalment.

1962 Japanese movie

A five year old boy leaves his mother and grandparents to see his father who has gone to work in Osaka.

A country boss gives up his way of life because of his daughter's marriage.

Sachi Hamano's Yurisai (Lily Festival) is about a man (Mickey Curtis) in his seventies who comes to live in an apartment building that also houses seven elderly women. The film examines the ladies' sexual desires as the man proceeds to woo each of them. Kazuko Yoshiyuki portrays one of the female residents. The film was adapted from a novel by Houko Momotani and was screened at the Montreal World Film Festival.

The widow of a murdered yakuza boss serves jail time for attacking the man she believes killed her husband. After her release, as she is shadowed by a hitman, she returns to thoughts of revenge.

A 30-year-old man's life gets up-ended when his girlfriend accepts an arranged marriage meeting with a more successful man.

Sayoko is desperate to bear a child of her own, but her live-in boyfriend Shinsaku strenuously objects to the idea. One day, someone leaves behind a six-year-old child at their door, claiming that Shinsaku—or four other men—is the child's father! Sayoko and Shinsaku set out on a journey to find the real father.

Adapted from a manga and anime of the same name.

This film is about a train departing Osaka Station at midnight to an unknown destination. The people on this train all have some difficulties in their lives, and they end up on this train. Hanoko is suicidal, Yuka has caught her boyfriend with another woman, Michiru is aimless, Mr. Wakabayashi has just been fired, and one other man just lost his wife. They take the train to Kazumachi, a small village. They decide to stay and enter a small world of discovery about themselves, courtesy of the inhabitants of the village, all of whom are engaging.

Blind masseur and master swordsman Zatoichi finds a robbed and fatally wounded pregnant woman, whose baby he delivers before she dies. He takes the baby in search of its father and finds the child's aunt, who is about to be forced into prostitution for want of a payment the dead mother was bringing. Zatoichi determines to save the woman from her cruel fate.

KILL THEM ALL

Ryotatsu, the wayward Priest blinded by Shinkai, the Wicked Priest, has his own story in this ultra-violent tale from the era of the Meiji Reconstruction. When a woman leaves her blind son at the Monastery, Ryotatsu is forced to teach the boy how to cope as a blind person in old Japan. When he takes the child with him on the road to find the boy's mother, they run afoul of not only yakuza gangsters, but some corrupt army officers have been trying to sway public opinion against the Satsuma rebels by posing as members of Saigo Takamori's group. It's a bloody mistake for them to underestimate the strength of the Blind Priest, and he'll make them pay with their lives!

The Princess Says No

The 16th NHK Asadora. Starring Yoko Akino in a contemporary story about a woman who is an office worker.

Ayu has lost the meaning of life after she has been working as a prostitute. However, her cold life change when she meets Yoshiyuki whom she wants to help with his heart problems. The two love each other, but Yoshiyuki's father doesn't allow their feelings. Ayu goes back to prostituting only to help Yoshiyuki earn money for his operation.

Set in a sake brewery in Niigata, from the Taisho to the Showa period, Retsu is a visually impaired girl with a strong will to make her own way in the world. Her aunt, Saho, watches over and supports her. The series centered on two women with opposing positions and personalities, depicting "home" as a member of pre-war Japanese society, along with a variety of human figures.