Carlos Henríquez-Consalvi

A documentary about Sistema Radio Venceremos, an underground radio network of the anti-government Farabundo Martí National Liberation Front (FMLN) during the Salvadoran Civil War. The station specialized in ideological propaganda, acerbic commentary, and pointed ridicule of the government. The radio station was founded by Carlos Henríquez Consalvi (Santiago).

Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.

A production by Radio Venceremos in 1992. The documentary's central objective is to showcase Radio Venceremos' new role after the end of the armed conflict, portraying it as a radio station that would continue serving the needs of the Salvadoran people. The documentary includes some of Radio Venceremos' broadcasts during the Salvadoran peace process.

Solentime (2020), directed by Carlos Henríquez Consalvi and Camilo Henríquez, revisits the memory of poet-priest Ernesto Cardenal and the Christian community he founded in the Solentiname archipelago, where art, faith, and revolutionary consciousness converged. The film reconstructs a failed 1973 documentary project, when a young Consalvi traveled from Venezuela to film Cardenal with a 16mm Bolex, only to discover the footage was ruined. Nearly five decades later, during the COVID-19 lockdown and after Cardenal’s death, father and son assemble photographs, archival images, and sound to evoke that encounter and the fragile persistence of memory, turning loss, decay, and time into the material of the film itself.

The title refers to the legacy of Archbishop Oscar Romero who was assassinated in his cathedral in March 1980.