Roberto Wohlmuth

Keta is a professional makeup artist with a big butt and large thighs, but she also has big dreams. The truth is that Keta with her overweight, her addiction to marijuana and her pink hair can not get a job anywhere, so she ends up as a drug dealer handing out goods to her neighbor - who is addicted to all kinds of painkillers-, to an actress of soap operas as schizophrenic as a cocaine addict; also going through a swinger couple, a prude housewife, a not so prude nun and a host of characters that will surely make more than one viewer is reflected.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

When the patriarch of a prominent family dies, his heirs battle to determine who will gain control of his beloved soccer team: The Cuervos of Nuevo Toledo.