Ion Popa

Savu and Panait, two drivers working for a firm of construction and assembly must ensure the movement of a giant machine. Along the way, she meets Miriam, a young gone to meet his fiance even transport your destination. Identity documents and stolen his train ticket. The two drivers decide to give her journey. After a night in a motel, drivers have an argument that is not foreign to the presence of Mary. For their silence, Savu decides to disembark. Not long after, overcome by remorse, turn back looking for her and thus reach his village which had left years ago. Here, Maria discovers drama of the human soul, wounded by an unhappy marriage. Arriving at your destination, are the husband of Mary is already married two months. Two men and a woman on the road to return, beyond sadness after a ravishing experience.

Romania had it rough under its last communist dictator, Nicolae Ceausescu, and things are even rougher now. Before, their problems were oppression and poverty. Now, their problem is mostly poverty - and plenty of it. In this grim comedy (to call it a black comedy would be to paint too perky a picture of it), Vasile (Gheorghe Dinica)has a wife whom he's fond of, and a mistress, whom he's fonder of. He manages a nearly abandoned movie theater, and makes just about nothing doing it. When his wife announces she's pregnant, he nearly goes frantic trying to find money to get her an abortion. However, what truly sends him over the edge is when his mistress decides to become a prostitute because, after all, the money is good. These two situations send him straight to the loony bin, and when he gets out, he discovers that his wife has rented their apartment to pornographic filmmakers, and guess who's starring in them?

Căpălău, a peasant in a village near Brăila, tries to keep up with the turns of life. Based on "Ningea în Bărăgan” novel by Fănuș Neagu.