Robert Paton Gibbs

Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)

Eileen O'Hara lives as a member of a cult in a remote retreat in the Adirondacks with her father, an embittered man since his wife's infidelity years earlier. Because his wife was untrue, O'Hara is determined that his daughter, Eileen, shall never marry. Peyster Sproul was the man who had the affair Mrs. O'Hara's infidelity, and when he shows up as president of the Sagamore Club and attempts to buy O'Hara's land, the two men come to blows.

Drama directed by George Irving et al.

In Savenay, France, the beautiful Arlette runs the local inn with her grandfather, Chaupin. Starving artist Richard Vale comes to stay at the inn and takes a liking to Arlette, who falls madly in love with him after modeling for his sketches. But when Prince Boissard arrives in Savenay and also takes an interest in Arlette, he makes a deal with the starving artist: Hell make Richard famous is Arlette can be the Princes mistress.

The overthrow of Czar Nicholas II in Russia was such big news that the then-fledgling art of cinema couldn't help but jump on it immediately and create a couple of dramatizations.

Nora, a girl of the lower East Side of New York City, marries a rising ward politician. A child is born. They are happy, but the young politician is running for office against the old ward boss and has to be out every night. The wife becomes jealous of a certain woman. Nora's child dies. Things get worse for her as jealousy and the seeming neglect of her husband increase. She finally leaves him and becomes a model for a noted painter. The husband finds where she is, but makes no attempt to force her to return to him, though he still loves her. One of the artist's friends, a magnate in the motion picture business, promises her a chance. Her rise to stardom is quick. The climax of the story is a struggle between the old love and the new fame. She does not know that the politician has become a first-class lawyer. Finding that the old love and the new fame are not incompatible, she is reunited with her husband.