One night, a woman in danger calls the police. Anna takes the call. A man is arrested. Weeks go by, the courts are looking for evidence, Aly, Anna and Dary have to deal with the echoes of that night they can't shake off.
Mara returns to the isolated house of her brother Sam, who died a year earlier in an arson attack along with his daughter. Driven by an impossible grief, Mara has devised a crazy plan for revenge: to kill the culprit herself on this sinister anniversary, a former associate of Sam's who escaped justice. But during the night, a series of mysterious and frightening phenomena turn her plans upside down...
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
A night. A car. Alie is in danger. To get by she must make the most important phone call of her life.
Set against the backdrop of the infamous Theatre Grand Guignol the story revolves around iconic actress Paula Maxa - the most famous of the Grand Guignol's leading ladies and the titular Most Assassinated Woman, who was graphically slain on stage multiple times a day.
Housed in a shelter for young mothers, Jessica, Perla, Julie, Naïma, and Ariane, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.
The investigations of two police officers from The Brussels Digital Unit, a unit specializing in cybercrime.
It follows Death as she moves among the population to accomplish her task: touching those whose "last hour" strikes after that moment.
