Marko Pesonen

Rendel, a masked superhero, becomes blinded by his desire for revenge against a sinister criminal organization.

Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.

When two best friends Jill and Joy find a huge sum of money on the street on the first day of the summer holiday, they decide to buy a house from the mysterious Mrs. Rosebud. It’s a real dream house: measured and equipped exactly for two little seven-year-old girls’ requirements. Based on a beloved children’s book, Jill and Joy is a story of a dream summer without parents or boundaries. Anything can and will happen as reality and fantasy magically intertwine.

Neo-Nazi falls in love with a woman who has a black son and finds himself fighting with conflicting feelings.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

The name of the person is a thirtysomething, work shy and relaxed Kimmo.