Ko Lo-Chuen

The third live action Old Master Q movie depicts drama and hilarity between a young couple during their hardships.

Drama from Hong Kong directed by Wong Toi.

Comedy from Hong Kong directed by Chiang Wai-Kwong.

Comedy from Hong Kong directed by Cho Kei.

Comedy from Hong Kong directed by Yam Wu-Fa.

When a family is bankrupted by a counterfeiter named Gold Fist, the daughter (played by Connie Chan) vows to get revenge. As she tracks down the villains, she comes across a drifter who is escorting a young man to his father, who is being kept in captivity by a gang of thieves. When it is discovered that the captive father and Gold Fist are the same person, loyalty and friendship are put to the test.

A ghost tale very strongly inspired by Hitchcock's Vertigo.

Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.

The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

We Owe It to Our Children

Hong Kong ghost / horror.

Drama / thriller from Sanxing Film Company.

Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.

Hong Kong martial arts / horror.

After inheriting his father's estate, Cheung Ka-bo leads a life of debauchery after getting know Blackie Yuen, who profits at others' expense, and Yee-Wah, who working at a night club. As the family wealth diminishes, he always squabbles with his wife and finally separates from her. She returns a diamond bracelet, kept by Uncle Chan, to her mother-in-law. Bo's mother hides the bracelet in a chair. Later, Wah resides at Bo's home. To flatter Wah, Bo wants to get the bracelet by any means from his mother and give it to Wah. Later, Bo's mother falls ill. In the hospital, she tells Bo of the bracelet's whereabouts but the chair has already been sold to Uncle Chan by Wah. Bo, Wah and Yuen stealthily enter Chan's home to get the chair, but have a big fight when they try to take the bracelet. Knowing that Bo has huge debts, Wah intends to leave him after getting the bracelet. Wah exposes her gluttonous self in her pursuit of the treasure. Bo learns his lesson and returns to his wife.

The continuation of the Old Master Q film series.

The first appearance of the comic character Old Master Q and friends.

Wu Sheung-fung risks her life to save Wong Tin-ho with the help of the white bone sword. Meanwhile the three devils known as Heaven, Earth and Man return to the Devil Mountain with the coveted Swords. Chung Ching, who has divined the recovery of the White-bone Grass by Wu and others, dispatches Kam Yan-kit to abduct Wong to the Black Hair Cave. Luk Fong-fei, Wu and other rescuers are vanquished by Black Hair one by one. Old Devilish Eccentric hurries to their rescue and heals Wong's wound as Wong reconciles with Kam. Kam secretly returns to Chung Ching Cave to seek the precious swords when Wong and others raid the den and are again dispatched away with fakes.

The Fragrant Sword is a Hong Kong Martial Arts movie starring Stanley Fung. Yu Lap-chung has been executed for the murders of martial alliance members when the black-clad assailant to blame is still roaming free. Apprehended by the murder threats to the helmsman of Emei and Xueshan, Golden-clad Ambassador of the alliance solicits help from the security escort master Wai To, Yu in disguise spared from execution by his master who had a rapist stand in his place. The fake scholar ingratiates himself with Ai Ching-yee, daughter of the Mulberry Pillar Fortress helmsman Ai Pak-chuen and exposes the father's conspiracy with his sworn brother to rule the martial world by dispatching Ching-yee's senior disciple Sze-hung Ying to commit atrocities against the martial alliance. Yu cajoles Ching-yee into assisting in Sze-hung's capture and with the culprit handed over to the alliance, the young lovers wander away.

Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?

The film tells the story of Tang Bohu, a famous scholar who spends most of his time wandering around the countryside.

Give Me a Kiss

Two schoolgirls become bar girls at night to earn money.

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

The legendary swords-girl Little White Dragon, helps protect a crown prince on his journey to a far off temple where he is to be blessed before becoming a Prince. His evil relatives lay traps and send fighters to try and assassinate him.Luckily, the young prince is rescued by the Little Warrior, who is known as: The White Dragon. White Dragon fights off the assassins and delivers the prince safely to the monastery.

This rare gem features the extraordinary stellar cast of two comedy giants on the same screen and the two Ma's (Ma Si-tsang and Sun Ma Si-tsang) performing together. Leung Sing-por as the wealth-feigning Au and Ma Si-tsang as penny pincher Ma already set the stage for laughter. Ma Si-tsang dons a hilarious moustache and adds panache to the character whenever he complacently twists his moustache, making his greediness almost lovable. The film features a zany plot 'twist' when the two Ma's, as father and son, try to attend a charity gala by having Sun Ma Si-tsang teach Ma Si-tsang to sing ‘Yu Hap-wan Expresses His Inner Feelings', one of the elder Ma's most popular repertoire. Ma Si-tsang gives a commanding seven-minute solo performance that captures the heart of the audience now and forever.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

Connie Chan Po-chu's character's father was killed by the triads, leaving behind two daughters. The elder sister makes a living as a singer at a nightclub, and is sometimes threatened by triad members. The younger sister (Connie Chan Po-chu), who knows karate, becomes an assassin who punishes villains.

First film in the series, based on Ni Kuang's spy pulp novels. Police Commissioner Fong enlists the chivalrous female bandit Muk Lan-fa to retrieve the latest gadget that emits deadly laser beam and its protocol, which allegedly have been transferred away by Ho Tin-hung. Sensing his life in danger, Ho recruits the agent Ko Cheung as his aide, but no sooner has Ko set foot in his house than Ho is murdered. The opportunistic Detective Chan coerces Ko into the hunt by implicating him in the crime. Masking their own agenda, Muk and Ko enter into a duel of wits which leaves the beaten Ko with a counterfeit. Having abducted Muk's mother, Chan presses Muk and her cousin Sau-chen to surrender the genuine article, but Ko unmasks Chan, the spy, by baiting him with the weapon. The police squad led by Fong and Commissioner Suen swarm onto the scene, arresting Chan while he is attempting to flee holding Muk's mother hostage. Chan dies amidst a shower of bullets fired by his own daughter Sau-chen.

Book Without Words is a 1965 Cantonese martial arts film directed by Chan Lit-Ban and starring Cheung Ching.

The Story of Wong Fei-Hung, Part 4: The Death of Liang Huan is the fourth movie in Kwan Tak-Hing's Wong Fei-Hung series.

Female police officer Pak Yik-wah poses as a cleaner and works in a fitness centre to gather evidence of the trainer Henry Fung's criminal activities. In the company of sister Yik-mui, the detective attends the centre's anniversary ball where she meets and falls in love with Man Hing-cheong, a well mannered guest with an elegance about him. But Yik-wah is forced to quit when her conservative father Yau-yu finds out about her moonlighting activities. To help the crime leader Wu Hung evade the police, Henry hatches a plan to murder Yau-yu who, like the wanted man, has a mole on his sole. When the sisters come under attack from a mob of gangsters following Yau-yu's disappearance, Man arrives to save the day and reveals his undercover identity. The operative hot on the heels of Wu joins hands with the sisters and lays siege to the gangster's hideout in a heroic effort to rescue the hostage and wipe out the gang.

Tse Mei-chen is deeply concerned about her only family, sister Bo-chen who is obsessed with perfecting her detective sensibilities. One day, Bo-chen returns home in panic to relay to her sister and her boyfriend detective Ma Tin-lung the horrifying murder of Siu-ying by her husband Tsui Kai. But a subsequent visit to the couple's, the cousin of Bo-chen's best friend Wong Kam-fung, proves the alleged crime false. Incognizant to all, the victim was Siu-ying's twin sister Kwok-ying, who bore witness to Tsui's misappropriation of their wealth for drug trafficking. Refusing to abandon the probe, Bo-chen is held up by Tsui. Deeply perturbed by Ma's investigation into his secret dealings, Tsui coerces Mei-chen to distract her boyfriend long enough for his escape. Refusing to bow to the threat, Mei-chen informs Ma who leads his squad to the rescue of the sister and arrests Tsui and his accomplices.

In protecting a group of children from bullying and gang violence, the gallant 'Lady Bond' Kong Yin stays with the family of driver Lee Pak in order to give classes in self-defence to Pak's younger brother Calf and neighbours Tak, Ah-ling as well as the young woman Sheung, drilling them in the moves and techniques. Startled by her striking resemblance to his kidnapped girlfriend Tong Ching-yee, Tse Tsi-ming pleads with and convinces Kong to pose as the missing girl to visit her bedridden grandfather Chung-sau. The masterminds behind the abduction, Tong's stepmother and her nephew Chan Chi-biu capture also Tse and the children. Tse brilliantly manages to alert Kong. Fighting and apprehending her opponents, Kong frees the hostages and hands the criminals over to the authorities.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

Wan Cho-sin has two daughters. The elder sister Wai-man is genteel and graceful, and the younger sister Wai-ping, taken under the tutelage of Lady Knight Silver Fox, is extrovert, outgoing and gregarious. The drug kingpin Chung Chi-wang has his eyes set on Wai-man but the girl is in love with Ma Kim-leung. Ko Tin-yam, who fearlessly wields his journalistic pen against the gangster, joins forces with his girlfriend Wai-ping to beat off Kong Yau-ming and the thugs dispatched by Chung. The encounter, leads to Kong's recognition of Wai-ping as his flesh and blood entrusted to Cho-sin's care years ago. Wai-ping pleads with her father to turn over a new leaf but fails to save him from Chung's murderous hand. Wai-man and Ma ingratiate themselves with the gangster, who uses the duo to elude the police while transferring drugs to a secluded villa. Wai-ping tips off the authorities about the traffickers' whereabouts and cracks down on the drug ring.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

A Hong Kong Jane Bond film starring Josephine Siao.

The Head of Southern Stone Village, Lee Ba-hung bullies others with his power. Yet he has no knowledge that his niece Lee Chun-hong is actually the Black Heroine who confronts him. It turns out that Chun-hong's father is fearful that Ba-hung would bully the mother and daughter of Chun-hong, hence he has disguised Chun-hong with woman attires. Chun-hong's identity is unveiled when she devotes herself to helping the refugees of a disaster by distributing food and emergency supplies. Ba-hung would like to murder Chung-hong by hanging, yet it ends in him being killed by his followers.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

Sau-chen goes out with the tenant Wong Chun-ching over the protests of her class-conscious parents Eighth Uncle and his wife. To foot the medical bills of his mother, Sau-chen works as a promoter at the Products Expo for Lung Wah Pharmacy and attracts the unwanted attention of the boss Chin Hoi-ngan. Chin desires the woman as a concubine. Acting on the advice of his subordinate Chiu Chik, the boss invents a phantom son and proposes marriage with the offer of a handsome dowry. The employee Wong, short of cash and needs money fast, is drafted as his saviour to meet the parents when the plot is duly exposed. Teaming up with his tenants, Eighth Uncle invites the henpecked husband's termagant wife along and causes a scene. In gratitude of their efforts, the landlord and his wife give blessings to their daughter and her lover.

Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!

Lee Kei-hau is happily married with a son. His wife Wong Tai-chu, who has been complaining of discomfort lately, goes to see a doctor where her friend Wong Mau works as an assistant. Wong mixes up her report with that of a cancer patient. Believing her days are numbered, Tai-chu discusses with her mother to choose a second wife for Lee and finds the nurse So Lin-yung, Mau's girlfriend. Mau feels obligated to adhere to her request to hire So as family nurse. Lee urges his wife to make regular exercise a habit to improve her health but when his advice falls on deaf ears, he spurs her to action by dating the nurse. Infuriated by his wife's unexpected exhilaration, Lee accuses her of having an affair with Mau. Tai-chu retaliates by displaying great affection towards a man, her girlfriend Judy in disguise. Lee chases after the beau relentlessly and is told the truth by Judy. Mau's blunder is patched up with a smile, for his lover So, and for the reconciled couple Tai-chu and Lee.

Cheung framed Chan For. Chan orders his wife not to tell this to their children, Ah Lan and Hung. His wife passes away. On her deathbed, she asked a neighbour, To Chung-man, to take care of her children. Claiming to be a good friend of their father, Chan For moves in to the bed next to Ah Lan to take care of his children. Hung likes this uncle because he always treats him generously. But Ah Lan finds "Uncle For" weird and enthusiastic. Ah Lan is forced to pay her mother's debt. Hung is suffering from acute appendicitis. To solve Ah Lan's financial problem, Chung-man returns to his rich family and accept an arranged marriage. Ah Lan decides to sell herself to the construction site foreman for one night. Chan For wants to stop his daughter from making this deal, so he agrees to work for Cheung again. The next day he carries out a robbery and is caught. Ah Lan and Chung-man visit him in jail, and hold their wedding ceremony in front of him. He looks forward to the days when he returns.

An avid fan of film star Patsy Kar Ling, Tse Sing falls head over heels for his new colleague Cheung Wai-ling who is a spitting image of the star, not knowing that she is the mistress of Manager Chow. When his wife comes to check the new secretary out, Chow lies that she is Tse's wife. When the truth dawns on the eager suitor, he heaps scorn on her. The distressed Cheung becomes suicidal and before taking the fatal pills, opens her heart to Mrs Chow. She is saved in time and, touched by her words, Tse professes his love for her and wins her heart.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

Hotelier Pak Kam-lung meets Cheung Yuk-neong on a ship travelling to Hong Kong. In Hong kong, Kam-lung searches for Yuk-neong's whereabouts and throws a costume party to lure Yuk-neong. He finally meets Yuk-neong again but she is cool towards Kam-lung. In order to get close to Yuk-neong, Kam-lung disguises himself as a hotel attendant. Meanwhile, the gentleman-thief Yu Yat-chi is attracted by Yuk-neong's diamond brooch. Yat-chi poses as a banker to get close to Yuk-neong. He lures Yuk-neung to his hideout by falsely claiming that her father is hurt in hospital. Yuk-neung is kept prisoner in an attempt to force her father to hand over the diamond brooch. Kam-lung puts on a female disguise to penetrate the hideout to save Yuk-neong. His disguise is seen through by Yat-chi, but fortunately, the police is alerted in time. The bandits are arrested. Finally, Kam-lung and Yuk-neong are married.

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

A Hong Kong Cantonese comedy film

Dirt-poor painter But Ka-sing lives under the same roof with Tang Chan-sin and Lee Tai-hak. Smitten with Tse Mei-chen, the penniless suitor resorts to staging a suicide and makes a fortune of his paintings which are sold at sky-high prices after his feigned death. Reinventing himself as a doctor, But competes with the rich heir Fung Chak-chak to win Tse's heart with an avalanche of gifts and money. However, Tse rejects the suit of the philistine. But gives up his windfall and tells the truth at his memorial exhibition. Thrilled, Tse pledges her love and marries the painter, for better and for worse.

Lawyer Fan Kam-man believes that his wife Chun Yuen-yung perished in a plane crash three years ago and walks down the aisle again with Yan Bik-kei. In fact, Chun survived a crash-landing on a deserted island with fellow passenger Wong Ah-lik, a biologist. Returning to civilisation, Chun sabotages their wedding night at the hotel. Overjoyed with her safe return, Fan pulls off a feat with his mother and wife to terrify Yan into divorcing him. However the lie is exposed when Wong shows up. Unyielding, the women settle to serve as wives to the same man. Mistaking Fan for the person Chun is going to see, the eavesdropping Yan goes to the date in her stead and unwittingly sleeps with Wong. Yan finally settles for Wong, putting an end to the topsy-turvy.

Describes how a Chinese village is invaded by the Japanese and how the villagers organise a guerrilla group to resist the enemy. With the aid of anti-war Japanese soldiers, the guerillas defeat a whole regiment of Japanese troops.

This is a Cantonese musical from director Wong Yiu

A swordswoman joins hands with fellow warriors to save her son from the evil monk.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

Hong Kong drama.

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

A boy is obsessed with the comic book hero Zhong Kui, an eccentric ghost catcher armed with a magic sword and sack. When his mother and younger sister are abducted by demons, the boy decides to seek help from Zhong to fight against vampires and revenants, zombies and goblins. Taking advantage of such special effects as freeze-frame and step-printing, The Ghost Catcher is a spectacular visual adventure.

Mr Wong falls head over heels for Lan, a beautiful waitress. He bugs her constantly to ask for her hand, and even goes as far as lying about his wife being dead and secretly planing to marry his wife off to a friend. Lan decides to play a prank on him to teach him a lesson.

When a young street thug becomes friends with the headmaster of a school, he gives up the triad life to enroll in the school.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

Wong Chat is jobless. He is forced to become a burglar. He breaks into Han Siu-yu and her boyfriend Cheung Wai-lim's home, but it is just the time when they return. Wong hides in the closet. He eavesdrops that Han and Cheung are a couple, but Han is forced to become the tycoon Chan Koon-kau's mistress for a living. Suddenly, Chan returns, and Cheung hides into the closet too. Wong and Cheung meet in the closet and become friends. Wong is righteous and promises to help Han to escape from Chan's control. Wong and his neighbour Yeung Oi-lin disguise themselves as a pair of Singaporean rich couple and attend a banquet at Chan's home. They want to steal back the document that Chan threatens Han with. But they also find evidence of Chan's drug trafficking. When Chan find out about the stolen document, he confines Cheung and Han and kidnaps Wong's children. But Wong refuses to surrender. During their confrontation, the cops arrive after being informed by Yeung and arrests Chan on the spot.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

In order to bring about the return of a prodigal son, Hoi Yau-lung asks his fiancee Fa Sau-lan to administer 'the beauty ruse' to trick his cousin Wan Kam-cheung into squandering all his money. When Wan is reduced to penury, he encounters his wife Suk-ching and learns from her the whole story. Wan realises his faults and resolves to turn over a new leaf.

Hong Kong comedy starring Connie Chan Po-chu

Tina Ti leads a star-studded cast in this hilarious farce as a pickpocket who, while fleeing the police, stumbles into an apartment occupied by seven single men. All hungry for a woman's affection, the men agree to take her in. However, what she doesn't know is that each of the men is coming up with ridiculous ways to have their way with her. A surreal comedy about sexual repression and sexual fantasies, the film mocks the desperate measures people take in the name of sexual gratification. Even though it is an erotic comedy at heart, it is never lewd or exploitative. In fact, like other Cantonese films at the time, the story even ends on a moralistic note as Tam Bing-man's character convinces the pickpocket to turn herself in and mend her ways.

A film by famed director Tit Lee.

The Pretty Tigress

HK horror film.

HK horror film.

HK horror film.

HK horror film.

HK mystery film.

HK horror film.

Hong Kong thriller.

HK horror film.

HK historical drama.

HK historical drama.

60s shaw crime film

A Shaw Brothers comedy starring Pearl Au Kai-Wai

Loosely based on Charles Perrault's Cinderella

Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate. At that time, Ah Seng, the son of Pak, owed money to Cheung, the fat man downstairs. Cheung saw that the porridge stall could not operate, so he took away the license of the porridge stall. In order to get the license back, Pak's daughter Miuying had to work as a dancer to pay off the debt. Then Pak's neighbors helped the porridge stall reopen and even reported Cheung for wasting water.