Marie Gomez

Survival Devices, Inc are an organisation that employ a team of adventurers known as "the Flying Fish" who are adept in sky diving, scuba diving and martial arts. They are engaged to rescue a captured scientist imprisoned on a Caribbean island by a dictator. The team parachutes off the coast of the island in a HALO jump and establishes an inflatable underwater basecamp in an "Instant Underwater Habitat" or "Igloo".

Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace--leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.

An arrogant Texas millionaire hires four adventurers to rescue his kidnapped wife from a notorious Mexican bandit.

Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches.

Ad-agency president Dan Edwards goes to Mexico to celebrate his nineteenth wedding anniversary and winds up getting divorced by mistake, whereupon his wife Valerie marries his best friend Ernie Brewer by mistake.

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

I Spy is an American television secret-agent adventure series. It ran for three seasons on NBC from 1965 to 1968 and teamed Robert Culp as international tennis player Kelly Robinson with Bill Cosby as his trainer, Alexander Scott. The characters' travels as ostensible "tennis bums", Robinson playing talented tennis as an amateur with the wealthy in return for food and lodging, and Scott tagging along, provided a cover story concealing their roles as top agents for the Pentagon. Their real work usually kept them busy chasing villains, spies, and beautiful women. The creative forces behind the show were writers David Friedkin and Morton Fine and cinematographer Fouad Said. Together they formed Three F Productions under the aegis of Desilu Studios where the show was produced. Fine and Friedkin were co-producers and head writers, and wrote the scripts for 16 episodes, one of which Friedkin directed. Friedkin also dabbled in acting and appeared in two episodes in the first season. Actor-producer Sheldon Leonard, best known for playing gangster roles in the 1940s and '50s, was the executive producer. He also played a gangster-villain role in two episodes and appeared in a third show as himself in a humorous cameo. In addition, he directed one episode and served as occasional second-unit director throughout the series.

Hondo is a 17-episode Western television series starring Ralph Taeger that aired in the United States on ABC during the 1967 fall season. The series was produced by Batjac Productions, Inc., Fenady Associates, Inc., and Metro-Goldwyn-Mayer Television.

The Wild Wild West is an American television series Developed at a time when the television western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as "James Bond on horseback." Set during the administration of President Ulysses Grant, the series followed Secret Service agents James West and Artemus Gordon as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over all or part of the United States. The show also featured a number of fantasy elements, such as the technologically advanced devices used by the agents and their adversaries. The combination of the Victorian era time-frame and the use of Verne-esque style technology have inspired some to give the show credit for the origins of the steam punk subculture.