Jagdish Sethi

Chaudhary Karnail Singh is a 1960 Indian Punjabi movie based in the pre-partition times of India. The film was one of the earliest works of Prem Chopra. The film won a National Award. In a village circa post British rule in India, a noble Sarpanch, Karnail Singh, is forced to chose sides between his son, Buta, and a Muslim couple, Shera and Naji, who want to get married amidst violent clashes between Hindus, Sikhs and Muslims before the formation of Pakistan; as well as deal with suspicious Indian Government officials.

The Arabian Knight

A young girl, impressed by the crystal clear ideals of a writer, falls in love with him, but ends up losing everything she hoped for as a wife.

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.

Roop Kumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest. The cast listed here is for the Hindi version, there is also a Bengali version with a different cast, but same director and release year.

Two street urchins dream of singing and making it big in the glamorous world of theatre in Calcutta.

An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.

Film starring Ashok Kumar and Vyjayanthimala.

A lawyer's wife dies in his arms. Yet, another woman - identical in appearance and accused of aiding a gang of bandits - claims to be the lawyer's wife. A courtroom drama ensues.

Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory

A lawyer investigates the case of a woman who is adamant about taking the rap for a murder, although the details of the case don't add up.

Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?

A rich blind man who falls for a poor girl, regains his sight and is forced to marry a wealthy girl whom his father has chosen.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

A teacher falls in love with a wealthy girl but decides to go away from her to earn money.

R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.

A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.