Baburao Pendharkar

A legendary king of Avanti, Vikramaditya, pledges to protect Princess Shreelakha of Kashmir from the Shakas, appointing Kalidas as his court poet. The film depicts Vikramaditya's heroic battles, his eventual defeat of Shakaraj, and the restoration of Kashmir's kingdom.

Valmiki is a movie directed by Bhalji Pendharkar featuring Shanta Apte, Prithviraj Kapoor.

A biopic based on the life of social reformer and revolutionary activist Jyotirao Govindrao Phule - who aspired to attain equality for the people and was considered a pioneer of women's education.

It is a melodrama about tlie rich and callous Vilas who abandons girlfriend Shama when he discovers that she is pregnant. She raises her son Nandu with the help of her younger brother and the film's hero, Sanjeev. When Vilas re-enters thier lives, it is with a new name, Ishwar, and with the intention of seducing the rich Princess Indira who loves Sanjeev. Ishwar has a bad accident and an attack of amnesia that also leads to a confession of his past deeds.

An anti-imperialist version of the Vishnu Purana legend tells of the villainous Kans plotting to marry Devaki to Dikpal, commander of Magadh's army. The people of Mathura fear that Magadh will destroy their city-state and foil Kans' scheme as Devaki marries the beggar Vasudev. The heavens forecast, accurately, that Devaki's eighth son Krishna shall cause Kans' death.

Prince Sudhirchandra goes into hiding as an infant when his father gets overthrown by Naagraya, a greedy minister. After 20 years, Sudhirchandra returns to reclaim his throne.

The hypocritically pious philanthropist Dinanath (Pendharkar) drinks alcohol claiming it to be holy water, womanizes and swindles people in private.

The plot revolves around a boy called Shyam and his relationship with his mother. It shares the effect Shyam's mother has had on Shyam's life and upbringing, and how he is taught to stick to his ideals and principles, even in the face of poverty. The relationships of all the individuals in Shyam's family are explored.

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.

To capture the fort of Javal, Shivaji assigns the job to Bahiriji Naik. Manjula Mohite, a fearless girl who is desired by Kedarji of Javal, works along with Bahiriji to capture the fort.

An incident from Mahabharata wherein the Pandavas were exiled.

After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali, a well-respected royal courtesan, and must decide what his main priority is.

Udaybhanu captures Kamlakumari who is planning to commit Sati and brings her to his fort in Kondana. Tanaji Malusare prepares to attack the fort with fifty soldiers. He manages to scale it but is killed in the battle with Udaybhanu. Chatrapati Shivaji Maharaj arrives and wins the fort but he is despondent on losing his most trusted Lieutenant.

A tragic Muslim social drama. It tells the story of two close Pathan families torn apart when Motilal, initially engaged to Veena, falls for and demands to marry her cousin and best friend, Munawar Sultana, after seeing her by chance. This sudden change of heart creates a deep and painful rift between the once inseparable families.

A melodrama about the rich and callous Vilas (Pendharkar), who abandons girlfriend Shama (Wadkar) whe he discovers that she is pregnant. She raises her son Nandu (Mainkar) with the help of her younger brother and the film's hero, Sanjeev (Vinayak). When Vilas re-enters their lives, it is with a new name, Ishwar, and with the intention of seducing the rich Princess Indira (Samarth) who loves Sanjeev. Ishwar has a bad accident and an attack of amnesia that also leads to a confession of his past deeds.

A celebrated melodrama. A bank employee who steals money to buy medicine for his dying wife is caught, jailed and dies of shame.

Set in a fictionalized Maratha-era tale, Shivaji’s son Sambhaji kidnaps Kamala, whom he loves, but she returns home. When her would-be groom Yeshwantrao abducts her, Sambhaji rushes to rescue her.