Nicky Spence

Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in coproduction with the Paris Opera, Bel air Media and Arte, with support from the CNC. Moses und Aron was broadcast live on Arte concert and on the Paris Opera website on October 20th 2015, and subsequently broadcast on Arte on Ocotber 23rd 2015.

A splendid Jenůfa, one of Janáček's best-known operas, here directed for stage by Alvis Hermanis and conducted by Ludovic Morlot at La Monnaie / Die Munt in Brussels.

With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.

Tsar Saltan marries the youngest of three sisters, having heard that it is her dearest wish to present him with a heroic son and heir. Her jealous sisters and the old Aunt Barbaricha cannot bear this situation to persist and by trickery see to it that the Tsaritsa and her newborn son Gvidon are thrown into the sea. In their barrel they are washed ashore on an enchanted island where the rapidly growing tsar’s son saves a swan from the clutches of a wizard. In gratitude, the swan helps Gvidon to visit his native country once again in the guise of a bumblebee. Three wishes, three miracles and three bee-stings later, father and son are finally able to get to know each other.

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Asmik Grigorian as Jenůfa in her Covent Garden debut and Karita Mattila as the Kostelnička lead a star cast with Hungarian conductor Henrik Nánási conducting a stunning score infused with traditional folk melodies of Janáček’s native Moravia. Claus Guth’s acclaimed staging - both elegant and open while being utterly claustrophobic and oppressive - captures the great humanity at the heart of the opera.

Posthumously premiered in 1930, From the House of the Dead derives from Dostoevsky’s autobiographical 1862 novel that drew on his experience as a political prisoner in Siberia. Janáček focuses on Dostoevsky’s idea of the “spark of God” in every human being that has the potential to redeem even the most hardened criminal.