Jovan Zdravković

Stefan spends summer in the countryside with his sister helping their grandmother with seasonal work in the field. There, he meets a local boy Marko, who brings him a new discovery about himself.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.

A cocky teenage girl is struggling to reconcile with her halfhearted boyfriend on the very same day that she gets stabbed and wages a war with a local gang of bullies.

In recent years, city of Belgrade has been proclaimed the capital of European clubbing. From the perspective of prestigious city club bartender Mare, this is story about modern day Belgrade and its residents.

Musical takes place before summer break, six months before the original movie "Next to Me' takes place. Characters are more immature and younger than in the original movie, and with their actions lead others into unpleasant situations, sometimes even hurting them. Some of them learn something from their experiences, learn how to apologize and forgive, while others don't.