Ahn So-yo

A wealthy couple seeks to secretly adopt the unborn child of an impoverished and troubled rural teenager, in this slow-burning and ultimately shocking drama from writer-director Albert Shin.

Su-min who finally passed the university dormitory and Han-byul who failed. Hanbyul's father's abuse of power changes the situation between the two. Su-min from low-income families who have nowhere to go and Han-byul, who doesn't want to live in dormitories, will apply for the Hawaii Exchange Student Program and compete for the last one.

Ye-eun came up to Seoul to meet Sa-rang, who she met through chatting. Ye-eun still feels awkward about having sex with the same sex. While drinking, Sa-rang and Ye-eun have a conversation. The moment she tries to have sex, Ye-eun breaks the mood with futile words.

Hae-su works at a factory on the outskirts of Seoul. Returning home from work, she makes a phone call that goes to voicemail; nearing her residence, another phone call comes in, but she doesn't pick up. Inside the house is her mother's body—she died from mysterious circumstances. A knock on the door goes unanswered, but when a plainclothes police officer arrives, Hae-su lets him in. An exchange of documents, uncertain glances. With Hae-su and her tempermental brother the only attendants at her mother's funeral, there are more questions than answers.

Moonjung is a caregiver who has a son in middle school. After getting divorced, she can’t bear to bring him to her house, a plastic greenhouse she has converted into a home. She strives to raise the necessary funds to move into a real home for her and her son.

Albert Shin demonstrates all his directorial prowess and knack for creating stark yet vivid characters with this remarkable drama about two strangers who convene at a seaside motel in South Korea with very particular intentions in mind.

Sejun and Song-i went on a school trip and couldn't return with the sunken ship. Leftover Seolhee and Seong-cheol wander under the weight of a hard life. Also, the remaining Sejun's mom and Song-i's dad remember and endure the children they sent first. The story of them living in a time that can't be cured.

Junghee goes to a housewarming party thrown by Soyeon, her friend from high school. While waiting for another friend to arrive, Junghee discusses her script with Soyeon and her husband. Soon, they begin to engage in a war of words.

After a childhood marked by pain and violence, a woman puts a carefully planned revenge scheme in motion.

Nam Geum Pil is a man in his 40's and he lives with his father and daughter. Out of the blue, he decides to quit his job. He receives criticism from his family, but he doesn't care. He freeloads from his friend when he wants to drink alcohol. Meanwhile, Nam Geum Pil becomes aware of a male neighbor who looks like an unemployed man, but he actually makes a lot of money as a webcomic writer. Nam Geum Pil then decides to become a comic writer.

Every day is extraordinary for five doctors and their patients inside a hospital, where birth, death and everything in between coexist.

Every last Thursday of the month at an all-girls high school, the students of Class 2–5 cast their votes in a popularity poll. The results classify them into Grades A, B, C, D, and F. If they fall into Grade F, they become legitimate victims of school violence.

Eun-mi is just like any other woman her age, with the exception that she gave birth to her daughter, Jin-hee, while she was in high school. Living under the same roof as Eun-mi is no different for Jin-hee than raising her own daughter, and it's often difficult to determine who plays the role of the mother. Despite their roommate-like conflicts, deep down they know they can rely on each other when things get a little too chaotic. As a fresh day begins, Eun-mi and Jin-hee step into another day of their remarkable journey, where the ordinary becomes extraordinary in their uniquely intertwined lives.