Bohumil Machník

In late 19th century Czech-speaking Bohemia, oppressed workers at German-owned mines and foundries revolt against their harsh working conditions. Made shortly after World War II as Czechoslovakia was falling to communism, the film resonates in Czech resentment of the German occupation.

People are afraid of the usurer Chazaj and are convinced that he is the bearer of evil. One day Chazaj pays a visit to the poor artist Simon Jordán and asks him to paint his portrait. Simon agrees but as he progresses with the work his mind conjures up terrible thoughts and in the end he commits suicide. The portrait looks lifelike and Chazaj is content with the results. After Chazaj's death the picture changes hands and brings misfortune to all who own it. The last victim is the young painter Roman who buys Chazaj's portrait in a bazaar. He finds a treasure in the frame and begins to live well off it. The comfortable life suits him so well that he rejects his original artistic aims and becomes a painter of fashionable kitsch.

Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.

Czech history movie.

The Poacher's Foster Daughter or Noble Millionaire

Vstanou noví bojovníci

Czech drama film.

Hasek’s Tales from the Old Monarchy

Jestřáb kontra Hrdlička

The Secret of Blood

Pancho se žení

O ševci Matoušovi

Křížová trojka

Případ Z-8

Kouzelný míč

Pan Novák

An optimistic collective drama from the life of the workers on the construction site of the Youth Track. An amnestied prisoner wants to atone for his wrongdoing with an honest strike and reveals the vandal who was going to poison the drinking water cistern.

Karhanova parta

Přiznání

Nad námi svítá

Usměvavá zem

Můj přítel Fabián

Dog's Heads (Czech: Psohlavci) is a 1955 Czech drama film directed by Martin Frič, based on the novel of the same name by Alois Jirásek. It was entered into the 1955 Cannes Film Festival.