Marcelo Pelucio

Editor-in-chief of The Yesterday Gazette, Sérgio no longer separates reality from fiction. Meanwhile he tries to figure out weather he’s dreaming or just living in a crazy world, he must choose the newspaper's cover photo: a profile picture of a presidency candidate named Pig Bomb. In the midst of the fake news war, he sees himself as a representative of the Press. Little does he know that the raw material of his profession, truth, is already dead.

Lorena is an ambitious television host on her way to success when she is kidnapped and kept in an underground cistern. This leads her to face her fears and uncover her antagonists.

Marcus is not having a good day. He never seems to have a good day. He has to smash in his rear window just to get out of his Volkswagen Beetle, having parked it too close between two other cars. He has to do all the dirty work in the office, while his spoiled rich kid colleague cooks the books for profit and shamelessly flirts with all his female co-workers. He’s attracted to his next-door neighbor who gets beaten and cheated upon by her boyfriend, but she doesn’t want to leave him. And he gets robbed at knife-point right outside his apartment building. Marcus manages to take the knife and chase away his attacker, but not before he gets stabbed in the shoulder. The incident awakens something dark in Marcus. He becomes a man with a mission, determined to set right all the injustice done to him. But ones the blood starts flowing, there’s no going back.

Descaminhos

Mônica is an actress in a crisis triggered by the overexposure of her life as a celebrity. Young Kelly is not aware of that when she unsuccessfully tries to speak to Mônica as she is leaving a film shooting, in Brazil's countryside. Kelly will not give up and decides to try to meet her muse again.

Judge Eduardo Cruz enjoys the company of some friends and tells an ancient story of Damasceno's passion for Lucinda. The two were in a restaurant when Lucinda's husband, upon returning to the table, caught Damasceno touching his wife's hand. Lucinda was not seen in town after that day.

A homeless man struggles to get by in the utopian city of Brasília.

O Mel dos Teus Lábios

Doce Ipê Amarelo

Menina de barro

A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.

A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.

The totalitarian government from a dystopian future controls the information flow and people start to mysteriously disappear. The algorithm is capable to investigate citizens digital lives, steal their data and set up warnings to potentially subversive people. Nicole, a 18-year old vet student, has her life investigated by this Algorithm.

In 1979, while Brazil was going through the troubled moment of the Amnesty Law, Glauber Rocha directed the program Abertura for TV Tupi, in which he interrogated a contradictory and boiling Brazil head-on, full of utopias but always under the weight of secular wounds.

Manequim

A Roda da Vida

When he became a teenager, Roberto decided that he no longer wanted to attend his parents' church. This created a serious problem with his father, who began to constantly threaten him with the verses he made up in the name of God.

Hungria: A Escolha de um Sonho

Marcos takes his son to the park, hiding a secret about the most famous toy. A journey to the past connects father, son, and the dream of launching into space.

Arthur is a narcissistic young director obsessed with his ambitious science fiction film, in which Platane, an evolved human, faces a conspiracy in a future where everything seems perfect. Miriam, an energetic producer and his best friend, tries to make the project happen, but Arthur sabotages everything and abandons the production. Years later, Miriam becomes a successful director, while Arthur never made his film. Too late, he realizes that what he really lost was her friendship.

Designed to symbolize luxury in Brasilia, the Torre Palace Hotel was abandoned, occupied, and demolished. Amidst archives, ruins, and memories, the building re-emerges as the protagonist of an essay on the city, housing, and destruction.

In a life full of surprises, Bia and Victor's friendship is a safe place.