István Szilvási

Árpád Bogdán's debut film seduces you with stylized visuals and an intensity that gives you an insight into the director's mind. His profound knowledge of the subject is evident throughout a film that is bereft of sex and violence. There is a poetic feel to the images that include a horse running wild on the streets of Budapest before it is caught and led into a horse trailer. The sequence is an eerie symbolic reminder of earlier visuals in the film of the young boy fleeing from parents/elders being arrested by police with the mother figure urging the child to run before he himself is caught and taken to an orphanage, psychologically scarred...(c) http://www.imdb.com/title/tt0944188/reviews

In Eastern Hungary, powerful usurers keep residents of the poorest Roma communities in a permanent debt spiral. Young parents Feri and Gina try a different strategy to get relief from local boss Simon.

A theater director tries to put on a play with real underprivileged Roma people about their lives but, feeling advantage of, the actors leave the troupe to gain a new consciousness.

The film follows seven days of a young gypsy, with a short excerpt from each day. Through these brief 'life' images, the film gives a dark and fragmented portrait of Kristóf, similar in style to Hungarian fiction documentaries of the 1970s and 1980s. A life at a standstill with no possibility of change is documented in the figure of the protagonist: Kristóf has neither the social background nor the education to turn his fate around.