Sophie França

Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.

A prominent Chilean documentary director shares his family album with the film editor of his late works. A review of one hundred photographs and a quiet conversation will rise to memories of the films of one of the most personal filmmakers.