Fernanda Boechat

Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.

Two sisters try to find meaning in their empty lives through sexual experiences and adventures in the nightlife of Rio de Janeiro. Abandoned by their father, who left their family, and raised by their absent mother, the two sisters rely on each other and search for their own path, trying to find a way out. Based on the poem from Vinicus de Moraes.

Silvia is an introspective young girl who is not interested in the daily routine between family and school. Everything abruptly changes when Artur arrives unexpectedly in her class, after being banned from several other schools. Silvia is amazed by the vitality of the boy, who actually suffers from a serious illness – hemophilia. The two immerse themselves in an intense and brief coexistence, interrupted by an accident in which Artur’s bleeds to death. Silvia gets sick and sees her life turn into a strange nightmare. The mourning gradually becomes an obsession, and obsession becomes a goal – Silvia will do anything to bring him back to life.

Bruno is a young film editor who has just broke up his marriage with Regina, and returned living in his mother's house. Drowned in deep sorrow, something very weird happens in his life: people around him are gradually disappearing. But only for him. Some kind of blindness.