Mercedes Ariza

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana

Berta (Tota Alba) has entered, once again, in prison accused of fraud. From the first moment she steps in the jail, she becomes the toy of all the veteran inmates. The number of conflicts in which she is immersed causes her to be transferred several times from penitentiary. In all of them will live some experience that will change her life; she will know love, hate, despair, etc.

A morbid curiosity leads Andrea and her friends to spy on a couple of young people during their amorous outings. Javi, the boyfriend, feels bothered because that situation, but ignores that Andrea is attracted to him.

El libro de buen amor II

The life of Juan de Dios and his struggle against social, political and religious structures.