Katia Leclerc O’Wallis

Following a traffic accident, a young man loses his memory and identity. Soon he will embark on a nightmarish adventure, confronting his darkest side.

Gloria is set against the backdrop of a rural landscape slowly disappearing in modern Portugal. The small border town of Vila de Santiago, once a booming trade center for illegal trafficking, is about to become a ghost town, as a new motorway is to bypass the city and the railway station is being closed. Its stationmaster, Vincente, is preparing to retire. Many young people have moved out, leaving the children to be brought up by the elderly, including thirteen-year-old Glória and her friend Ivan. Glória's life suddenly changes with the arrival of Vincente's younger brother, Mauro, who has just come out of prison and has some old issues to settle. Mauro begins to charge around the station on his motorbike, while Glória's friendship with Ivan is put to test on account of her attraction to older Mauro.

Sergeant Kormas is investigating the murder of a colleague, unearthing a dirty conspiracy where organized crime and law enforcement are two sides of the same coin. Tough men, femme fatales, cheeky one-liners and a hero who becomes the victim of his own choices, i.e. all the basic noir ingredients, are present and accounted for

The story takes place in a port controlled by Charlie the Greek and his criminal band. There are two things Charlie hates: drugs and homosexuality. But both are part of his life: he is madly in love with Joy who is a junkie, though he denies it even to himself. And regarding the homosexuality issue, his right hand, Tony, has an amorous relationship with a transsexual who is part of a group of trans-prostitutes. Ignoring Charlie's adamant orders, the transvestites work the streets around the port, with the help of Tony, who secretly supports them

Two couples of different ages get involved with each other: the younger ones see the deadlocks of the older ones as a gloomy possibility, while the older ones are “renewed” but also immersed even deeper into their own deadlocks. Time does not go back, mistakes are not corrected, and relationships end up cannibalistic.

After suffering a heart attack, a famous actor invites his two daughters to return to Greece and join him in a “Macbeth for three” performance. The rehearsals will reveal all their harsh truths and emotional traumas.

Following the mystery of their deaths, Father and Son are reunited in Tranzit, an arid and desolate non-place, a kind of contemporary Dantesque limbo regulated by abstract mathematical principles, where the dead face a dilemma: accept the dematerialization process or remain in indeterminacy forever. Here the memories of the Father, are confused with those of the Son, rekindling old conflicts. Trying to bring order to the past and shed light on what led to his death, the Father relies on his knowledge of mathematics to pursue a crazy idea: to come back to life.