Igor Vidmar

From 1977 to 1991 an image of Slovenia as a green, demilitarised and peaceful country of diligent people reigned in Yugoslavia, a country where differences are not only allowed, but also desired. This period ends with a ten-day war, when the identity turns from peacefulness, modesty and diligence into courage and a fighting spirit. The film documents the changes in Slovenia and its inhabitants, which have in recent years brought us to a completely different understanding of national identity, different from the one which was true in Slovenia as well as abroad twenty years ago.

A documentary about Novi Sad’s rock band Boye, which in the early 80s gave life to female spirit in Yugoslavia’s r’n’r music, fully aware of the type of music they chose, managed to position themselves on, up to then exclusively “male” scene and forced themselves as the original occurrences.

Documentary about Radio Student from Ljubljana, one of the oldest and biggest European non-commercial radio stations.

Documentary from biggest rock festival in Slovenia. Performers: Big Foot Mama, Indust Bag, Dicky B Hardy, Warpigs, Veliki Bijeli Slon, Borut Veselko, Drustvo Mrtvih pesnikov, Adi Smolar, Dan D, Schal Sick Brass Band, Temni Angeli Usode, Plavi Orkestar, Hic Et Nunc, Durhmarsh, Wet Bed, Skroz, Terra Mystica, Z'kovaci, Rok Otocec, Buldozer, Rambo Amadeus, Zabranjeno Pusenje, Zoran Predin.

A film about the first Laibach album officially released in Yugoslavia. The record came out despite the political ban that was in place on the band's name at the time, in 1985 - but without the name or a title. A black cross on the cover was enough.

To celebrate 40 years of his career, Slovenian rock star Peter Lovšin presented this documentary. He started in 1977, when he formed Pankrti, one of the greatest Slovenian punk groups, and in 1992 he started a solo career. His contribution to the Slovenian music scene is unparalelled.

TV drama that follows the story of unusual destiny of Sava Šumanović, people and events which affected creation of artistic expression and sensibility of the famous Serbian painter.

It reconstructs the lively bustle of the Ljubljana subculture scene in the 80s, and it was made by two insiders. With minute and swift editing of the picture and sound, the makers compiled a number of documents and video shots made between 1982 and 1988.

A documentary celebrating 10 years of Dirty Skunks, two crazy guys, who met in a pub, became friends, and who have grown from concert enthusiasts to one of the leading alternative music promoters in Slovenia.

How do you describe Marko Brecelj? The author of the documentary, Janez Burger, got away by saying: “Marko Brecelj is poetry. Poetry that is life. And poetry cannot be put in words other that verse.” Marko Brecelj is a point of convergence for the self-centred world of pop culture.