Joey Curtis-Green

A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.

An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.

Even though Sami is safe in the United States with his 9-year-old daughter, Aya, the injures sustained during the war in Syria are making his life difficult. When news breaks that the rest of his family will arrive from a refugee camp, he should be as elated as Aya. But as Aya grows more eager to see her brother Saeed, Sami grows more anxious.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.