Yutaro Nakamura

This is the question posited by director Nakamura Yutaro at the start of his latest film, a series of vignettes that bleed into each other. Memories? dreams? Whatever they are, they belong to highschooler Hikari who, along with a friend named Yujiro, get involved with an emotionally unstable man named Takaya. Flash-forward a decade or so and they are all 20-somethings bumbling around on New Year’s Eve night. Hikari has picked up an admirer, Kotaro, while Takaya is shacked up with a young woman named Anzu. A tumultuous night together leads to a quarrel and a truly bizarre New Year’s Day. It’s not a straightforward experience as we surf through these experiences and question whether they are imagined but the feeling of airy freedom and endless possibilities at the end is pleasant.

A pair of siblings are living together in the outskirts of society. The brother, Yoshio, has a hurt leg, the sister, Mariko, has an intellectual disability and spends most of her time at home. When Yoshio loses his job he does the unthinkable and sells his sister's body in order to pay for food and rent.

After causing a major incident, police officer Daigo Agawa takes his wife and daughter to live in the remote mountain village of Kuge. It seems the perfect place to recover from the ordeal, despite the mysterious disappearance of a previous officer posted there. One day, the body of an old woman is found on the mountain. The Goto family says she was attacked by a bear, but Daigo notices a human bite mark. It soon becomes clear that not all is as it seems in the village.