Judith Rodríguez

The lives of three strangers in Santo Domingo, a girl from high society, a lonesome alcoholic cop and a drag queen cabaret performer; interwine on the eve of a hurricane fallowing the murder of a young poet and drug dealer

Young girl from the Dominican slums, parents drug addicts; she dreams about living somewhere else. She becomes the leader of a criminal gang; bullied for being a woman they consider transgender; Mario, a drug dealer, tries to force her to work for him. When he wins her confidence, leaves her pregnant and steals her loot, things change very quickly for Rafaela. Betrayed, she'll do whatever it takes to get revenge, avoid the police and get away before her baby is born.

Toña is a Dominican woman who escapes an abusive relationship and leaves her country. Without documents, she makes a new life in Puerto Rico and is about to put her legal status in order. Gregorio, an exiled Cuban doctor, is stuck in Puerto Rico with no legal options to normalize his immigrant status. An accident pushes them into a relationship upon which their future will depend.

Dakota, a young American, arrives in the Dominican Republic at the dawn of the Trump era with little idea of why he is there, where he is headed, or what might come next. After checking into a beachside hotel, he finds himself in the crossfire of a volatile love triangle between two hotheads and the mysterious and elusive femme fatale Fabiola. The second feature by Juan Antonio Bisonó (Mosh) is a love letter to film noir both classic and contemporary - if the love letter in question was never sent because it got burned to a crisp by its dejected author - and a romantic comedy in reverse, where a breakup precedes the meet-cute, shaking up the beloved and her suitors like a spiked rum cocktail in the Santo Domingo sun.

Julián finds love and a reason for living in the last place imaginable: the Dominican Republic's Najayo Prison. His romance, with fellow prisoner Yanelly, must develop through sign language and without the knowledge of dozens of guards.

A satire about the life of the Cuban people. Alicia, a culture instructor, is sent to a small town "Maravillas", which is itself an exaggerated, but very ingenious reflection of the real Cuba. The adventures that she has there are almost as crazy and senseless as the ones lived by the other Alice (in Wonderland), reflecting the indoctrination, coercion, absolutims, and many other everyday problems in Cuban society.