José Ramón Pardo

Ignacio Costa is a tyrannical businessman with a conflictive personal life. He has a large family, a woman he abuses and humiliates and five children with whom he does the same, except for Mariana one of the girls. Tired of so many vexations, his wife will begin to influence his children until together they will plot the murder of the father

Juana la Loca… de vez en cuando

Rodrigo Díaz de Vivar, “Mio Cid”, is in love with Jimena, but the Count of Oviedo, his father, challenges him to a duel and is killed. He before him curses Rodrigo, that if he marries Jimena, he will lose his manly faculties. And, in fact, when he gets married, Rodrigo becomes effeminate.

Hamlet, the young and indolent prince of Denmark, who is sure that his father, the king, has been treacherously murdered by those closest to the throne, decides to take revenge, so he cleverly manipulates the hearts of the members of the court in search of the crack through which he will be capable to see the tainted souls of the coward assassins…

A serpent, created by radioactivity, threatens a Spanish coastal town.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

Disparate nacional

Fourteen Stations

Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.

A film director deals with the frustration of not having achieved anything in his life.

In this black comedy about a man in a surreal restaurant somewhere up in the mountains, where Papandreu the chef makes him enjoy his best dishes.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.

Follows police officer Francisco "Paco" Miranda and his men through funny cases.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.