Simon Lacroix

Struggling with depression, Louis finds out that his family is planning a prank on him for April Fools' day. Problem is: we're still in March...

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

Five years after winning the Quebec Pee-Wee tournament with his team, 18-year-old hockey prodigy Janeau Trudel is playing for the Chicoutimi Saguenéens in the Quebec Major Junior Hockey League.

Benjamin tells his ex-girlfriend, Angie, that he joined a cell of left-wing terrorists to get revenge on her former boss, who owns a right-wing radio station. His story blends conceptual artists, amateur theatre troupes, hallucinogenic vinyl record and other magical powers. All that nonsense leave Angie wondering if he made that up only to win her back.

After his father faces financial struggles, 12-year-old Max is forced to shut down the pawn shop he operates from his garage and move to a small country town. When Max discovers the world of small-scale farming, the young entrepreneur rallies the help of his cousin Charles, along with local youtuber Alice, to start an egg farming business in Charles's old decaying barn.

Teenagers are impressionable, but Adam more than most. When he goes to visit his grandmother in the hospital for a final goodbye, she croaks her final words, a comment about his “long torso”, causing his torso to literally extend. It’s been this way all Adam’s life, whenever his body is mocked, it distorts to reflect the callous comments of relatives and the targeted vitriol of fellow teens. His physical transformations are in some ways the least of his worries as he tries to navigate teenage life in late 90s Quebec complete with an impossible crush, pool parties, summer jobs, and a bit of existential dread. In his feature debut, director Joël Vaudreuil crafts a heartfelt portrait of teenage life, as incisive of its cruelties as it is rich in wildly creative absurd visual humor. Loaded with the weight of hindsight, it’s a reflection that never fails to be as funny as it is ultimately sincere.

Everyone can have a bad day now and then, but we meet Valerie on a morning that divides her life neatly into before and after. It took one inconsequential setback – a silly thing, really – to cause a slight delay in Valerie’s schedule, resulting in a regrettable distraction, causing an unfortunate incident, which leads her to the police station….. making her miss the single most important event she had on her agenda: The Meeting! That’s when the dam breaks. All that control to build the fragile framework of her life collapses instantly. Valerie gets fired, is obliged to restrain her lifestyle, and now with the shared custody of her son in question, Valerie has to review her priorities and reorganize her life.

Hypno

L'Académie

Every time Jonathan Plourde, a 23-year-old designer, falls in love, a strange accident kills his girlfriend. With his friends, he starts looking for a way to get rid of this curse.

L'heure est grave

The elevator is therapy for a man trying to get to the top floor of an enormous skyscraper in the company of some of humanity’s most annoying specimens.

Les éphémères

On veut des faits

Léo

Sans rendez-vous

Mégantic is inspired by the events that occurred during the Lac-Mégantic rail tragedy in 2013. This fiction follows the destinies of Méganticois marked by bereavement and trauma, but also by solidarity, courage and heroism.

Symphonie pathétique

Un gars, une fille is the title of a Quebec comedy television series created by Guy A. Lepage and broadcast on Radio-Canada, as well as the title of its French adaptation on France 2. It is one of the most successful Quebec television shows, with a concept exported to more than thirty markets around the world. It is the first Québécois television program to be adapted in the United States.