Randy Doney

Jeff and Mari Thompson are contently married, but they are stunned to see many of their friends and neighbors going through separations and divorces. Seemingly surrounded by people with domestic problems, Jeff and Mari begin to question their own relationship.

Julie and Carol at Carnegie Hall is an American musical comedy television showcase starring Julie Andrews and Carol Burnett, broadcast on CBS on June 11, 1962. The special was produced by Bob Banner and directed by Joe Hamilton. Banner came up with the idea in the Fall of 1961. Burnett was then a regular on The Garry Moore Show and Andrews had appeared as a guest twice, performing the song "Big D" from the musical The Most Happy Fella in the first appearance; and in the show's 1961 Christmas special, she did a number with Burnett and fellow guest Gwen Verdon plus an early performance of "My Favorite Things" (three years before she performed it as Maria while filming The Sound of Music). Mike Nichols wrote the script and co-wrote the song "You're So London" with Ken Welch. Writing began in February 1962 and the stars rehearsed for two weeks before the March 5 taping

Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."

The ultimate collection of song and dance performances from Gaynor's classic network television specials - unseen for three decades - MITZI GAYNOR: RAZZLE DAZZLE! THE SPECIAL YEARS is a new documentary that celebrates a landmark career through new interviews with Mitzi and many others that worked with her. A reflective and entertaining glimpse into the television variety show at its zenith, taking viewers on a nostalgic trip through Gaynor's TV years.

Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself.

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

Extremely rare, never repeated special starring Mary Tyler Moore, Ben Vereen, Doug Kershar, Arthur Fiedler, The Manhattan Transfer. “A special in which the vivacious Mary Tyler Moore acts out her wildest fantasies. Lot’s of big dance numbers reminds us that Mary started her career as a dancer. Moore sings and dances to rock, pop, and classical pieces in a show that's drawn from the Bible and fleshed out with allegory about man's creation, fall and rebirth. The show takes the form of surrealistic dream sequences that range from the fanciful to the solemn, and that have Mary playing the roles of angel, devil and woman." Manhattan Transfer does "Sympathy for the Devil," perhaps worth the price of admission right there.”

Carol Burnett joins opera diva Beverly Sills for an hour of music and song from the Metropolitan Opera House in New York City.

After many years spent at the “Cheers” bar, Frasier moves back home to Seattle to work as a radio psychiatrist after his policeman father gets shot in the hip on duty.